Dadarottenvator, by Merzbow

Dadarottenvator

by Merzbow

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Limited Edition 12" Vinyl in wooden box
Record/Vinyl + Digital Album
The record has been pressed on 140 gr black vinyl with full color label and sleeve plus poster everything housed in wooden box. Artwork by Masami Akita.

Includes unlimited streaming of Dadarottenvator via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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	1.	Necro Jazz Suite 21:01
	2.	Koji Tsuruta Had Big Grinder 22:07

about

Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Just as Schwitters attacked the entrenched artistic traditions of his time with his revolutionary avant-garde collages, so too would Akita challenge the contemporary concept of what is called music. Merzbow would draw further influence from the futurist movement. Not only would he embrace the futurists' love of technology and the machine civilization, he would push their fondness for noise to the very boundaries of the extreme. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise. By 1990’s, Merzbow had a significant underground reputation for creating harsh and power electronics album. Dadarottenvator was released in 1995 by the magnificent German label Praxis Dr. Bearmann in a limited edition of 175 hand-numbered copies, pressed on green vinyl, and housed in a wooden box.
The tracks fall right in-between the atmosphere of Merzbow's early 90's work and his more hyper-aggressive mid 90's power electronics work and it's a charming mix, presenting the listener with some of the best elements from each phase of his evolution. Along with Noisembryo, Venereology and Pulse Demon, it represents the top of the immense artist’s production. All tracks performed using cheap electronics and junk, no use for synthesizer and midi sampler.

credits

released May 18, 2020

Recorded & Mixed at ZSF Produkt studio in 1994-1995
Remastered at Munemi House in 2019 by Masami Akita
Originally released on Praxis Dr. Bearmann LP in 1995

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Urashima Milan, Italy

Psycho-Synth Maniac and Harsh Noise Abductor

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