Esthetik Of A Corpse, by Atrax Morgue

Esthetik Of A Corpse

by Atrax Morgue

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Record/Vinyl + Digital Album
The sadistic industrial spurts of Atrax Morgue, are secretions of body fluids converted into noise stinging and nauseous and his work is an unhealthy, stinking container, with most depraved delusions that the human brain can give birth. The fourteen splinters of Esthetik Of A Corpse were recorded in spring 1995 and released on tape by Slaughter Productions. A quick overview of the 50 minute tape: harsh electronics, sounds from obsessions and visions, death as sex, madness, pleasure, orgasm, cadavers and plastic bags. Of course, the canvass is freshly skinned off the body of one of the victims, and Marco makes much use of the entrails in his creation …

New mastering in 2020 by Andrea Marutti, the record has been pressed on 140 gr virgin black vinyl with inside-out printing sleeve in just 199 copies. As subtle and listenable as it is challenging and complex. We can’t recommend this one enough!

Includes unlimited streaming of Esthetik Of A Corpse via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

€6 EUR

	1.	Esthetik Of A Corpse 03:17
	2.	Talkin' To a Decapitated Head 05:47
	3.	Post Mortem Attack 05:28
	4.	Necroactivity 2 01:55
	5.	Talkin' To A Decapitated Head 2 06:02
	6.	Sex Organs In Formaldeide 01:58
	7.	Dr. Rosenberg Report 02:52
	8.	Bloodbath For My Cock 05:08
	9.	Dedicated To Karen G. 02:58
	10.	Dissektion 04:34
	11.	Negative Forces 04:28
	12.	SX Eyeball In Her Mouth 03:38
	13.	(...) 00:46
	14.	Last Orgasm Before Death 03:20

about

Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, Marco Corbelli began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian Power Electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects as Whitehouse and Brighter Death Now, pioneers of a minimal, evil and visceral electronic, Atrax Morgue released his first tape In Search Of Death which will be followed by a series of amazing cassettes in the succeeding years.
Tape after tape, with the help of an analog synthesizer Sequential Circuits Six-Trak, a microphone connected with a Yamaha multi-effect, tape decks and a mixer, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviation. With this minimal equipment Marco has created all his shocking releases, excluding Cut My Throat, where he used the Crumar Spirit and in the latest works before he died, as for the collaboration with M.B., he also used RE-201 Space Echo (the only other machines he had used were Crumar Bit One and the Roland 909, both of which were used only for the Mörder Machine side-project).
The main manifesto of Atrax Morgue is the analysis of the death, his perfection and complete habituation: injections of death to continue to live. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire discography. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting. The psychopathological sound is painful and horrific; creates a mental alteration that initiates brutal operation of psychic surgery, neuroses and split personality. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth, the roar of noise and fights razor are often repeated loops, where each track has a compact structure, following the main theme (of death).
Marco Corbelli’s Atrax Morgue is anxious and psychotic side of the electronic noise; he is a sinister, synthesizer-based jarring project, rich with pulsating tones and throbbing static beats. His severely distorted electronic voice reverberates through the fore ground like the spoken word performance of a homicidal maniac while the music beneath affords a suitable and macabre adieu for your deceased soul. This is the sonic equivalent of regulating the blood flow through a severed jugular, the life slowly draining, the hands kept warm and strictly in the process …

"So, obsessions have found a way to come out. Through violent and cold analogue electronic sounds, and my own voice."
Marco Corbelli

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released July 18, 2020

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Urashima Milan, Italy

Psycho-Synth Maniac and Harsh Noise Abductor

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